Michael has Left the Building...

...and he has taken the dragon with him!  My latest commission was a real challenge for me because it involved imagination, but also some knowledge of the story of Michael the archangel and the 7-headed dragon.  The client didn't want me to follow the story exactly, which made it a little easier. But it has been a long time since I created a dragon, and I was a little rusty. I did a lot of research, both on dragons, and archangels, and my client did as well. I borrowed some of the background for the dragon from Raphael's version.

Michael was a little easier for me as he was more in keeping with my specialty, portraits.  My client didn't want the typical image of Michael that you see in Raphael's depiction or that of many other artists.  She had very specific ideas, the main one being she wanted him in Medieval-style armor, descending from Heaven rather than fighting the dragon on the ground, as I had him doing in my original sketch.  I borrowed Michael's  pose from a version by Esther Sanz. So above, right, is the final image.

This was one of the most intense commissions I've ever had.  At times I felt completely out of my realm and overwhelmed by the enormity of the project.  I believe there was some divine intervention, however, when my darling studio cat, Gracie, decided to leap onto my palette, which skidded out from under her, knocked over the water bucket, sending the bucket, brushes and water crashing to the floor.  Although none of the dirty water landed on the painting, it did splash everywhere else, including all the drawers of my caddy, so not only did I have to stop to mop the floor, I also had to remove everything from the drawers and dry them.  I know God was watching over either me, the cat or both!

And now I move on...here's what's currently on the easel:  This is Tara, a beautiful yellow lab.  It feels good to get back to painting pets!

Through the Looking Glass

In my continued quest to learn all I can about art marketing, I've come across TONS of information. But the one that peaked my interest the most (well, at this time, anyway) suggested posting earlier artworks--I'm talking like back in the stone age when I first picked up a paint brush.  Well I can't go back THAT far because, silly me, I didn't keep any refrigerator art from my school days (and neither, apparently, did my mother) but I did head down to the studio/basement/garage and started pulling out old portfolios and files, canvases that were stacked along the wall--and discovered a small treasure trove of old work, student work, canvases I'd started and, for various reasons, either lost interest in or got stuck and quit.  Not only did I find paintings I'd literally forgotten about, but with each new discovery, I became inspired again.

I found an early self-portrait (above left), which not only made me laugh, but also reminded me of those early painting days. Back then, I didn't think as much about what I was doing.  I just jumped right down the rabbit hole and did it! And I think jumping in without a lot of thought isn't necessarily a bad thing. For me, anyway, because I have a tendency to over-think things and then I get so wrapped up in the thinking that I lose interest in the painting. I'm not saying there's no value in art education, workshops, etc.  I've benefited from all that. But I think you can spend way too much time analyzing, planning and critiquing, and before you know it you've lost all the emotion and freshness, as well as maybe some of the joy of painting.

Where Shall I Go
Watercolor Collage
by Stephanie Allison

Which brings me to why taking a step back and rummaging through earlier art is beneficial to your art marketing:  it's easier to sell artwork you are passionate about.  If you are brimming with enthusiasm over something you've created, your potential customers will feel that joy as well.  Sometimes (and I am guilty of this) we spend too much time painting what we THINK will sell, and pay no attention to what has actually SOLD and, more importantly, why.  So looking through my old stuff helped me see what I was passionate about and what I'm still passionate about. Digging through the bones of earlier artwork also showed me how I've grown as an artist--where I've been, and where I want to go.

Now I may have arrived late at this revelation, but I suspect I'm not the only one.  Lesson learned:  stepping through the looking glass into the past can re-ignite a lost or buried creative spark.  It has for me!

The Business of Art? Not So Scary After All!

"Windstalker"
by Stephanie Allison
18 x 24 Oil

I've been spending a LOT of time lately on the Internet, reading all sorts of material on the art of marketing.  Some of it I sort of knew, but chose to ignore because it meant stepping out of my comfort zone and actually communicating with people! Not that I haven't talked to people about my art, I have...but I'm not good at it. At all.  My sales pitch most often goes something like: "Would you be interested in buying one of my paintings?  No?  Okay, thank you for your time." And then I would slink away feeling miserable. Or when someone asked "what do you do?" I would hesitate before saying "I'm an artist," as if I were ashamed.

CHANGE IS GOOD

Some of the changes I'm making are out of necessity (my recent retirement) and some are because I started thinking about the fact that I've been painting for years, selling more often than I realized, and, most importantly, I love it!  So why not focus on doing something I love and maybe actually make money at it? Like so many other artists, I thought art was something to do in my spare time; the real money came from having a real job. And maybe I can do this now because I am an empty nester (although my dogs and cats and husband might have a different opinion on that)--but one thing I'm learning is that you really can make a living from your art if you know how to do it--and you don't have to be famous! The key is finding out what you love to do, do it, and, most importantly, share it with others!

STEPPING OUT INTO THE SOCIAL WORLD

The Internet has made it so easy to connect with people and get your art out there.  It seemed scary, at first, and  overwhelming.  But I found a wonderful site, The Abundant Artist, that has been instrumental in helping me become more business savvy in terms of my art.  What did I learn? It's not that difficult!  Social media seems to be the key:  a website, a blog, and as many other social spots you can find: Facebook, Etsy, Pinterest.  So I've been ramping up my presence on those sites, and surprise! it's working.  No sales yet that I can link directly to my new efforts, but something even better:  I'm finding so many other artists out there who share my interests and some whose work is completely different, but fascinating to look at!  And by connecting with them, my own work is being seen more and I'm making like-minded friends.  That alone is worth the effort!

I'm still wading through a ton of information on art marketing, and I'll be glad to share in future posts.  Meanwhile, I'd love to know what the rest of you are doing to promote your art and whether or not it's working.  Feel free to comment  below!

Ahhh...Retirement: Day 4 of the 30/30 Challenge

 I thought "Ahhh...Retirement" would be a good title for this little painting.  Still hanging in on the 30/30 challenge:  this is #4 for me.  I'm not quite sure about the sun spots on the left of the canvas...seemed like a good idea at first, but now I don't know. What do you think?  Comment below, or email. I'd appreciate it!

Day #3 -- Pig Smack

This is my first official day of retirement--so I was able to spend the entire day in the studio, painting.  First I did my daily painting--that makes #3 in the 30/30 challenge.  This is an 8 x 10, acrylics, painted on the edges.  

Next, I did a study piece for a commission that involves 2 large paintings depicting the archangel Michael slaying the 7 headed dragon.  It's been awhile since I painted any type of dragon, and I've never tried to paint anything from the Bible--so it's quite a challenge. The client wants the dragon on one canvas and Michael on the other, which will be another challenge for me because I need the two pieces to work together. This study is very rough--no details on the dragon other than base color and shape, placement of eyes, etc.  The background I borrowed from Raphael's painting although I'll be adding my own little spin to it in the final piece.  If you're familiar with the story of Michael and the dragon, the dragon has 7 heads, 10 horns and 3 crowns--and is red.  Each head represents one of the seven deadly sins.  I decided not to make each head different--but the client may decide later  that's what she wants.

So, that's it for me! Check back tomorrow for the next daily piece and maybe an update on the commission. 

Merry Christmas, Happy New Year and Moving Forward....

2012 is coming to an end and it has been a wonderful, productive year for me and I am very grateful. I've had the opportunity to paint some beautiful people and furbabies, and I sincerely appreciate getting to "know" the subjects of those paintings.  I made some folks cry, which I guess means I did a good job of capturing their loved ones on canvas.  And now, a new year is rapidly approaching and I am so excited!  I have decided to quit my part-time job and get back to painting and writing full time. I still have a nearly-finished novel simmering in a desk drawer, and all kinds of idea snippets tucked in various places.  I have one major art project in the works--I'll be posting more info about that as I develop it.  So here are the Christmas commissions I have been working on since before Thanksgiving, and I'm happy to say that I finished them all on time--although a couple of them were still wet when delivered! 
     The one at the top of the page is "Emma" -- a 4 x 5 mini painting.   Next left,  is a group of 4 dogs, I call "The Pack."  Then there's "Harley" on the right here, and "Puppy Mask" below left.  And finally, I did a large portrait I'm calling "Anna's Family." 

I loved painting all of these. Some are in acrylics, some in oil, and a couple are a combination of the two. I worked from several photographs which really helped, as did the little stories my clients provided.  I hope the folks receiving these paintings are not disappointed!

I'm hoping I can update this blog more often, now that I'll be home full time, and maybe share some "in process" photographs as well.  So....

Have a blessed and Happy New Year!