The Eyes Have It

Today's painting for the 30/30 challenge is a study in composition and shape.  Again, I started out thinking I would do the entire head of my little Cavalier, Charlie.  But when I laid it out on the 3 x 3 inch canvas, I decided it was just another head shot, and wanted to make it more interesting.  I was intrigued by the way his eye seemed to echo one side of his nose, and how the shape of the red-brown fur around his eye was almost the inverse of the white on his nose and face.  I think my recent interest in Zentangles influenced this piece as well. As I painted, I completely forgot about it being my dog's face and immersed myself in the shapes. Imagine folding the piece in half:  the parts would almost fit over one another. This was a fun piece to paint!

After I warmed up with the daily painting, I moved on to one of my commissions.  Still a lot of fine tuning to do on this one, but here's "Hope."

And you know, it's not too early to be thinking about Christmas...so if you'd like to commission a portrait for that special someone, or as a gift to yourself (hey, why not???), just send me a note! I have gift certificates available, too. I also have a couple of special projects in the works. I'll be posting details soon, so be sure to check back!  

Michael has Left the Building...

...and he has taken the dragon with him!  My latest commission was a real challenge for me because it involved imagination, but also some knowledge of the story of Michael the archangel and the 7-headed dragon.  The client didn't want me to follow the story exactly, which made it a little easier. But it has been a long time since I created a dragon, and I was a little rusty. I did a lot of research, both on dragons, and archangels, and my client did as well. I borrowed some of the background for the dragon from Raphael's version.

Michael was a little easier for me as he was more in keeping with my specialty, portraits.  My client didn't want the typical image of Michael that you see in Raphael's depiction or that of many other artists.  She had very specific ideas, the main one being she wanted him in Medieval-style armor, descending from Heaven rather than fighting the dragon on the ground, as I had him doing in my original sketch.  I borrowed Michael's  pose from a version by Esther Sanz. So above, right, is the final image.

This was one of the most intense commissions I've ever had.  At times I felt completely out of my realm and overwhelmed by the enormity of the project.  I believe there was some divine intervention, however, when my darling studio cat, Gracie, decided to leap onto my palette, which skidded out from under her, knocked over the water bucket, sending the bucket, brushes and water crashing to the floor.  Although none of the dirty water landed on the painting, it did splash everywhere else, including all the drawers of my caddy, so not only did I have to stop to mop the floor, I also had to remove everything from the drawers and dry them.  I know God was watching over either me, the cat or both!

And now I move on...here's what's currently on the easel:  This is Tara, a beautiful yellow lab.  It feels good to get back to painting pets!

Through the Looking Glass

In my continued quest to learn all I can about art marketing, I've come across TONS of information. But the one that peaked my interest the most (well, at this time, anyway) suggested posting earlier artworks--I'm talking like back in the stone age when I first picked up a paint brush.  Well I can't go back THAT far because, silly me, I didn't keep any refrigerator art from my school days (and neither, apparently, did my mother) but I did head down to the studio/basement/garage and started pulling out old portfolios and files, canvases that were stacked along the wall--and discovered a small treasure trove of old work, student work, canvases I'd started and, for various reasons, either lost interest in or got stuck and quit.  Not only did I find paintings I'd literally forgotten about, but with each new discovery, I became inspired again.

I found an early self-portrait (above left), which not only made me laugh, but also reminded me of those early painting days. Back then, I didn't think as much about what I was doing.  I just jumped right down the rabbit hole and did it! And I think jumping in without a lot of thought isn't necessarily a bad thing. For me, anyway, because I have a tendency to over-think things and then I get so wrapped up in the thinking that I lose interest in the painting. I'm not saying there's no value in art education, workshops, etc.  I've benefited from all that. But I think you can spend way too much time analyzing, planning and critiquing, and before you know it you've lost all the emotion and freshness, as well as maybe some of the joy of painting.

Where Shall I Go
Watercolor Collage
by Stephanie Allison

Which brings me to why taking a step back and rummaging through earlier art is beneficial to your art marketing:  it's easier to sell artwork you are passionate about.  If you are brimming with enthusiasm over something you've created, your potential customers will feel that joy as well.  Sometimes (and I am guilty of this) we spend too much time painting what we THINK will sell, and pay no attention to what has actually SOLD and, more importantly, why.  So looking through my old stuff helped me see what I was passionate about and what I'm still passionate about. Digging through the bones of earlier artwork also showed me how I've grown as an artist--where I've been, and where I want to go.

Now I may have arrived late at this revelation, but I suspect I'm not the only one.  Lesson learned:  stepping through the looking glass into the past can re-ignite a lost or buried creative spark.  It has for me!

The Business of Art? Not So Scary After All!

"Windstalker"
by Stephanie Allison
18 x 24 Oil

I've been spending a LOT of time lately on the Internet, reading all sorts of material on the art of marketing.  Some of it I sort of knew, but chose to ignore because it meant stepping out of my comfort zone and actually communicating with people! Not that I haven't talked to people about my art, I have...but I'm not good at it. At all.  My sales pitch most often goes something like: "Would you be interested in buying one of my paintings?  No?  Okay, thank you for your time." And then I would slink away feeling miserable. Or when someone asked "what do you do?" I would hesitate before saying "I'm an artist," as if I were ashamed.

CHANGE IS GOOD

Some of the changes I'm making are out of necessity (my recent retirement) and some are because I started thinking about the fact that I've been painting for years, selling more often than I realized, and, most importantly, I love it!  So why not focus on doing something I love and maybe actually make money at it? Like so many other artists, I thought art was something to do in my spare time; the real money came from having a real job. And maybe I can do this now because I am an empty nester (although my dogs and cats and husband might have a different opinion on that)--but one thing I'm learning is that you really can make a living from your art if you know how to do it--and you don't have to be famous! The key is finding out what you love to do, do it, and, most importantly, share it with others!

STEPPING OUT INTO THE SOCIAL WORLD

The Internet has made it so easy to connect with people and get your art out there.  It seemed scary, at first, and  overwhelming.  But I found a wonderful site, The Abundant Artist, that has been instrumental in helping me become more business savvy in terms of my art.  What did I learn? It's not that difficult!  Social media seems to be the key:  a website, a blog, and as many other social spots you can find: Facebook, Etsy, Pinterest.  So I've been ramping up my presence on those sites, and surprise! it's working.  No sales yet that I can link directly to my new efforts, but something even better:  I'm finding so many other artists out there who share my interests and some whose work is completely different, but fascinating to look at!  And by connecting with them, my own work is being seen more and I'm making like-minded friends.  That alone is worth the effort!

I'm still wading through a ton of information on art marketing, and I'll be glad to share in future posts.  Meanwhile, I'd love to know what the rest of you are doing to promote your art and whether or not it's working.  Feel free to comment  below!

This Ain't No Hobby!!!

"Bad Hair Day"
8 x 10 Oil on canvas
SOLD

Whew! Being a full time artist is a LOT of work.  I have spent HOURS this past week tending to the business side of art--namely updating my website and, most recently, this blog.  I suppose if I were a computer geek it wouldn't have taken as long as it did, and I wouldn't be suffering with a headache, neckache and blurry eyes. Even with the use of templates, I found that I had to do a lot of searching online for "how to's" on adding things like my own banner, and getting it to look the way I want it to.  And I'm still not satisfied, but my eyes are about to bug out of my head, so this is it for now.

I have to wonder just how successful all this internet/social networking stuff is in terms of promoting art.  I'm sure there are plenty of artists out there who don't even have a website, and manage just fine. The weird thing is, despite the fact that it takes me forever to manage my website, blog, and Facebook page, I still enjoy it.  Just the little successes are satisfying:  like creating the banner you see at the top of this page.  Might seem pretty simple to some of you, but for the barely computer literate like me, it was a major feat.  Almost as satisfying as finishing a painting!

Here's a link to one site that offers some good advice on art marketing: Fine Art Tips with Lori McNee.

And speaking of marketing, there's a great animal support group called Labrador Life Line, and they are holding an online auction to raise funds. There are a lot of wonderful items available, not just for dogs, but humans as well--including a gift certificate for a pet portrait from yours truly. You can see the auction here: Labrador Life Line's Annual Heart Dog Auction.

So.... I don't have any new paintings to post--but let's consider the revamped blog and my new banner as the project-of-the-day. And the painting above, titled "Bad Hair Day" pretty much sums it up, only right now, my hair is in even worse shape!

White Pitcher, Grapes and St. Michael the Archangel

Had to take some time away from daily painting to work on another study for my commission, St. Michael the archangel killing the dragon. But I managed to fit this little one in today--it's a 5 x 7, in acrylics.
       Now back to St. Michael:  below is the study I did--it's pretty rough.  I did quite a bit of research but most of the paintings depicting St. Michael made him look very feminine and unrealistic in the sense that he looked more like he was posing rather than about to unload on a 7-headed beast.  So I ended up using a baseball stance combined with sort of a samurai warrior pose to get what I've depicted here.  I've still got a lot of fine-tuning to do, and I've asked the client to determine hair color.  I may end up changing the outfit too--depends on what the client wants.

 But I feel I've made progress.  I will have to work on both paintings simultaneously so there's a smooth transition from one panel to the other.

So now it's back to the 30/30 challenge until I get the go ahead from my client.  I'm now 12 paintings behind. Oh well....I'm still having fun.

Rollin' on the River

So this is the end of week two of my "retirement" and it's taking a little getting used to. I keep thinking I have to rush through things because I have to go to work the next day, but then I realize I don't, and so I stay up until 2 or 3 in the morning, and then I sleep late.  It's not the best cycle to be on and I imagine I'll settle into a routine that works.  But here I am at 2 a.m., wide awake and posting artwork online. 

The painting on the left is from a photograph I took back in 1991.  We'd just moved to Kentucky and were lucky to attend the riverboat race--one of many pre-Derby events.  This is the "River Queen" and we were on the Belle of Louisville.  I don't think the "River Queen" was in the race--but she looked pretty! This painting is #11 in the 30/30 challenge, 5 x 7 acrylics on clayboard. I've fallen behind on the challenge, but still chugging away!

This next painting,  "Milo," is an 8 x 10 acrylics. I started it the other day in the gallery, but didn't quite finish it.  Then I was lazy for the next two days and only got back to it this afternoon.  But hey, I completed two paintings in one day, so that's kind of a record for me.

I'll still be working on the daily challenge, but now I have to devote my time to a large commission: St. Michael the archangel fighting the 7-headed dragon.  I posted a study of the dragon a few days ago. I'm working up a study of Michael next, and if the client approves it, I'll be focusing on those two pieces over the next couple of weeks. They're large canvases, giving me a little break from the small artworks. Time to loosen up and paint LARGE!

The Walking Stick -- Daily Painting #9

Yesterday  was day #9 (for me, anyway) in the Thirty Paintings in Thirty Days challenge.  The "rules" don't say, specifically, that you have to paint 30 paintings in JANUARY, just 30 paintings in 30 days. So...I've fallen behind the group's schedule, but I'm not alone in that, and I think the idea is to paint daily--or frequently, if you can.  So that's pretty much what I'm doing.  Yesterday's painting was a real challenge for me.  I've had a wooden panel laying around in the studio for several months and I decided to paint on that. Eeks! I've never painted on wood before, but I figured, in keeping with my word-of-the-year "explore" I would give it a go.  I gessoed the wood first, then when it was dry began painting. I quickly realized that even with 2 coats of gesso, the wood was soaking up the acrylics. They were drying too fast.  The acrylic medium helped--but I still found it difficult to blend and smooth edges--so this painting has a more painterly, maybe even plein-air look to it--which isn't necessarily a bad thing.  I think the colors ended up more dull than I'd hoped.  Since I don't know much about painting on wood, maybe that is typical.

Overall, it was --well, not so much fun as informative and I doubt I'll paint on wood panels again. But hey, if I hadn't, then I wouldn't know, right?



Somebody Stole My Crown!

First, I woke up this morning convinced that it was Sunday, not Saturday. Once I realized my mistake, I felt relieved, because I wasn't 2 days behind on the daily painting challenge--only one. So after breakfast, I schlepped down to the studio to paint. But I got sidetracked when I realized that my crown--one I got a long time ago from Burger King or some such place--was missing. Now I haven't even thought about that thing for quite awhile, but I am, after all, Queen of my studio--and today I wanted my crown. Hmmph...

Anyway....I gave up searching for my crown and concentrated on painting. I managed to complete two small ones, both 5 x 7, and both in acrylics on clayboard.  The one on the left is of Buddy Sue--a cute little spaniel mix that crossed to the Rainbow Bridge several years ago. She was a goofy little thing but as sweet as could be.

Next, because my word for this year is "explore," I decided to play around with my palette knives.  I still don't quite have the hang of it, but here's the end result: "Maui on My Mind."  I did end up fine-tuning it with a couple of brushes and my fingers. But the goal was to explore, and I think that's exactly what I did.

One thing I struggled with today was a very curious little kitty.  This is Gracie.  She is my studio cat, although she used to be a prison cat until I sprung her from her life of crime. She has decided that she needs a front row seat to everything I do in the studio--and today she was particularly persistent. She jumped right in the middle of my palette--leaving a trail of paw prints across the table and floor. She hopped into my paint box, scattering brushes everywhere.  And then she climbed all over me and my keyboard--making it a real challenge to get anything done.  But I love her--and given her rough beginnings, you know, being born in a prison--hey, wait a minute.... maybe she stole my crown!! 

Ahhh...Retirement: Day 4 of the 30/30 Challenge

 I thought "Ahhh...Retirement" would be a good title for this little painting.  Still hanging in on the 30/30 challenge:  this is #4 for me.  I'm not quite sure about the sun spots on the left of the canvas...seemed like a good idea at first, but now I don't know. What do you think?  Comment below, or email. I'd appreciate it!

Day #3 -- Pig Smack

This is my first official day of retirement--so I was able to spend the entire day in the studio, painting.  First I did my daily painting--that makes #3 in the 30/30 challenge.  This is an 8 x 10, acrylics, painted on the edges.  

Next, I did a study piece for a commission that involves 2 large paintings depicting the archangel Michael slaying the 7 headed dragon.  It's been awhile since I painted any type of dragon, and I've never tried to paint anything from the Bible--so it's quite a challenge. The client wants the dragon on one canvas and Michael on the other, which will be another challenge for me because I need the two pieces to work together. This study is very rough--no details on the dragon other than base color and shape, placement of eyes, etc.  The background I borrowed from Raphael's painting although I'll be adding my own little spin to it in the final piece.  If you're familiar with the story of Michael and the dragon, the dragon has 7 heads, 10 horns and 3 crowns--and is red.  Each head represents one of the seven deadly sins.  I decided not to make each head different--but the client may decide later  that's what she wants.

So, that's it for me! Check back tomorrow for the next daily piece and maybe an update on the commission. 

30 Paintings in 30 Days--Oh My!

Well, that's the plan anyway. I signed up to participate in a new year's project started by Leslie Saeta.  The goal is to paint one painting a day for thirty days.  I've tried similar projects before and didn't get very far, but now that I'm no longer employed (my choice), I'm going to get back into the studio full time, and this seems like a good way to get started. 

Besides the daily painting, I have started work on a big commission:  2 large panels depicting Michael the archangel slaying the 7-headed dragon from the Book of Revelation.  This is quite a challenge for me--I'm excited about it, but also a little intimidated--it's been quite awhile since I painted LARGE and even longer since I created any dragons!  I'm working on a study of the dragon right now--will post photos when I get a little further along on it.

The other project is for a book, "Pawsome Patriots."  I will be painting images of service men/women and their pets.  I'll post more details later, so check back, especially if you or someone you know would like to be included in the book.

Here's another small painting I completed this week:  it's called "Lucretia's Snake." This little girl's family ran a small zoo near Puerto Vallarta, and I couldn't resist photographing her.  I've had the photograph in my desk for years, knowing I would paint it one day--and I finally did it!  So...that's all for now folks!

Full Speed Ahead--Commissions & the Holidays

Wow, the month of October literally FLEW past for me--I've been busy, busy, busy with commissions and jewelry and trying to squeeze in a few moments for "playing" in the studio.  But I'm nearing crunch time, so I think the playing is going to have to take a back seat for awhile. I have several commissioned portraits in the works and only a week left till Trims & Whims to finish up the jewelry I've been working on.  Yikes!  But I've discovered over the years that I seem to do my best work under pressure--and a deadline!  Reminds me of my college days, when I'd wait until the night before a major paper was due to start writing it.  Guess I enjoy living dangerously!

Back in October, I posted a work-in-progress of 2 beautiful dogs: Prescott and Fallon.  I thought it might be cool to show the progress of this painting.  Here is the initial stage (left) where I just blocked in the shapes and colors on the canvas.
And on the right is the current stage.  I've added in some eye detail, worked on refining the coat on the retriever, and worked in some color on the background.  When I paint, I like to move all over the canvas. It helps tie everything together, plus keeps me from focusing too much on one spot, which can create problems. In the next stage, I will finish up the eyes on both dogs, continue to refine their coats, and finally finish off the background.  I'll post the completed painting next time! 

A couple of weeks ago, I finished the portrait of Kirby(left) for Kitty Key.   This was a birthday gift for her sister. I hope she liked it!

Well, that's it for now. I'll post photos of my new jewelry creations as soon as I can--and of course, the works in progress. I have 2 "people" portraits I'm working on and several more pet portraits coming up.  I love it!!

Gearing Up for the Holidays!

I can't believe it's October already!  Where did the summer go?  The cooler temps here have driven home the fact that summer is gone and the holidays are fast approaching.  With that in mind, things have shifted into high gear at Wit's End Studio.  I am working on several commissions simultaneously.  The one on the left is a work in progress, as is the one on the right.  On the right are Prescott and Fallon (love the names!!) and to the left is Kirby.  Still lots of work to do on both of these portraits, but I think it's interesting for other artists and non-artists as well to see how the process goes.  Both of these are just the first pass on the canvas, to block in the shapes and get a little color going and they are both in oils.  I know some artists draw first in charcoal or pencil and get everything laid out before they ever touch the canvas with paint.  I like to be more spontaneous--I just dive right in and adjust as I go along.  I think it gives the work a fresh feel.

 

The piece on the left here is one I started for fun--it began as a pallet knife painting, but I didn't like it so I switched back to brushes, and then I got busy with other things, so it's been sitting for awhile.  I look at it every now and then and each time I see adjustments that need to be made.  The horses need shaping--a couple of them look a little weird, but then they are wild horses!  Once I get the commissions finished, I'll get back to this one....

AND, it's nearly time for Shelbyville's Trims and Whims 2-day event, so I'll be working on some new jewelry pieces in the coming weeks as well, so keep a look-out for those!

 

Finally, my little "I'm Adopted" poster will be available online or at the Shelby Artists on Main Gallery, starting Monday October 8.  Stop by the gallery  or email me if you'd like to purchase one of these. They are signed and numbered and, because October is Adopt a Shelter Dog month, 25% of the purchase price will be donated to one of the 6 Shelbyville animal shelters/rescues of your choice.  Makes a nice Christmas gift and helps our local shelters as well!

 

Dog Days of Summer Series #6

I was hoping to be able to paint one dog portrait a day during the Dog Days of Summer, but as usual, life gets in the way.  This is the 6th in the series. I'm hoping to get back on schedule now and produce one a day through August 11th. One can only hope!!

Available for purchase:  8 x 10 acrylic, $80.  Contact me if interested!

Dog Days of Summer Series #5

Here is the 5th painting in the Dog Days of Summer series:

8 x 10 Acrylics

$80

Contact me if interested in purchasing this cute little portrait!

Dog Days of Summer Series #4

Couldn't resist painting this grinning little Corgi!

Dog Days of Summer #3

So far, I'm on a roll....3 "dog days of summer" and 3 completed paintings!  As always, if you're interested in puchasing one of these, send me a message!

Dog Days of Summer Series #3
8 x 10 Acrylic
$80

Dog Days of Summer #2

Dog Days of Summer Series #2

8 x 10, Acrylic

$80

Isn't this puppy adorable?? Contact me if you'd like to purchase!

Yep, I Only Watch the Super Bowl for the Commercials

I'm not particularly interested in football, but I do enjoy the commercials during Super Bowl. And being from New York, I am sort of in favor of the Giants....but mostly, I'm interested in painting, and today I actually got back into the studio and managed to work on a painting I started months ago.  This is Woody, one of the many beautiful animals housed at the Shelby County Animal Shelter. Thanks to Sheila Collins for use of her photo--this painting, when it is finished, will be donated to the Shelby County Animal Shelter.  This is part of an on-going project of mine. The paintings can either be given to the person who adopts the animal from the shelter, or used in advertising, or auctioned off at one of the many fundraisers held to benefit the shelter.  I also have a couple of paintings of cats that I will be delivering to the shelter soon.  This is one way I can put my talent to good use. By the way, if you live in the area, buy a ticket to the Monarchs, Mutts and Meows event on February 11.  There will be a silent auction  with a lot of great items (including a pet portrait painted by me!), as well as a wonderful dinner at Claudia Sanders and fantastic music featuring the Monarchs.   

And here's the mini-poem for today:

A pair of geese signal their approach,

circle low, then skid in for a splash

landing.