The Eyes Have It

Today's painting for the 30/30 challenge is a study in composition and shape.  Again, I started out thinking I would do the entire head of my little Cavalier, Charlie.  But when I laid it out on the 3 x 3 inch canvas, I decided it was just another head shot, and wanted to make it more interesting.  I was intrigued by the way his eye seemed to echo one side of his nose, and how the shape of the red-brown fur around his eye was almost the inverse of the white on his nose and face.  I think my recent interest in Zentangles influenced this piece as well. As I painted, I completely forgot about it being my dog's face and immersed myself in the shapes. Imagine folding the piece in half:  the parts would almost fit over one another. This was a fun piece to paint!

After I warmed up with the daily painting, I moved on to one of my commissions.  Still a lot of fine tuning to do on this one, but here's "Hope."

And you know, it's not too early to be thinking about Christmas...so if you'd like to commission a portrait for that special someone, or as a gift to yourself (hey, why not???), just send me a note! I have gift certificates available, too. I also have a couple of special projects in the works. I'll be posting details soon, so be sure to check back!  

A New Month and a New Challenge

The last time I tried to do a Thirty Paintings in Thirty Days Challenge, it was back in January, and I didn't quite make it. Ended up completing about half. I was disappointed in myself for not finishing the challenge, so when I saw another one for September, I decided to jump right in. And then, I started thinking: maybe I'm putting too much pressure on myself. Even working small, painting one piece a day is a lot of work. I've taken on other daily challenges: a photograph a day, a poem a day -- and failed miserably. I'm good for about a week, maybe two, and then I get distracted, or bored, and move on to something else. Maybe it's the long term commitment that scares me, although thirty days is hardly long term. I'm one of those folks who usually works better with a deadline. So why do I fail at these one-a-day challenges?  Beats me, but I have decided that, this time, I'm really going to do it.  YEAH!

BUT....there are some days when I should just stay out of the studio, and today was one of those days.  I decided to paint a seagull from a photo I took when I was back in New York.  Talk about trying to fit a square peg in a round hole! Or should I say, a rectangle in a square.  You'd think, with all my artistic experience, that space and placement wouldn't be a big deal for me any longer. Wrong!  I really am spatially challenged.  So there I was, trying to squeeze this oblong seagull into a perfect square.  I started over at least three times, and each time, ended up making the gull larger until I cut off its tail feathers and half of its beak. I considered giving up, which would place me one day behind already.  So I forged on, determined to complete Day Two of the Thirty Day Challenge because I'm not a quitter!  The result:  not one of my better pieces, but it's done.  And when I realized it wasn't going to fit on the square canvas, I decided to focus on color and lighting instead.  I was a little more successful with that.

So what have I learned?  Well, I'm still spatially challenged.  But, I completed the daily painting.  Two days down, 28 more to go. Stay tuned....

And here's Day One's painting:

The Walking Stick -- Daily Painting #9

Yesterday  was day #9 (for me, anyway) in the Thirty Paintings in Thirty Days challenge.  The "rules" don't say, specifically, that you have to paint 30 paintings in JANUARY, just 30 paintings in 30 days. So...I've fallen behind the group's schedule, but I'm not alone in that, and I think the idea is to paint daily--or frequently, if you can.  So that's pretty much what I'm doing.  Yesterday's painting was a real challenge for me.  I've had a wooden panel laying around in the studio for several months and I decided to paint on that. Eeks! I've never painted on wood before, but I figured, in keeping with my word-of-the-year "explore" I would give it a go.  I gessoed the wood first, then when it was dry began painting. I quickly realized that even with 2 coats of gesso, the wood was soaking up the acrylics. They were drying too fast.  The acrylic medium helped--but I still found it difficult to blend and smooth edges--so this painting has a more painterly, maybe even plein-air look to it--which isn't necessarily a bad thing.  I think the colors ended up more dull than I'd hoped.  Since I don't know much about painting on wood, maybe that is typical.

Overall, it was --well, not so much fun as informative and I doubt I'll paint on wood panels again. But hey, if I hadn't, then I wouldn't know, right?